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    <loc>http://www.marcmancuso.com/blog/2017/3/wheel-formed-shapes-as-plaster-molds-with-pre-drilled-holes</loc>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
      <image:caption>These are solid plaster, with holes. The videos in this section show how they were made.</image:caption>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
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      <image:title>Blog - Wheel-formed shapes as plaster molds with pre-drilled holes</image:title>
      <image:caption>This plaster bowl is an example of using the space between two nesting clay forms.</image:caption>
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  <url>
    <loc>http://www.marcmancuso.com/blog/2017/2/27/string-wound-around-nails-creates-dippable-castable-forms-for-ceramic-slip</loc>
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    <lastmod>2017-02-28</lastmod>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
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      <image:caption>Single round array from embroidery hoops. Rods held with tape.</image:caption>
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      <image:caption>Hoop and tape form showing a particular winding that makes a smoother string surface on the inside of the rods. The windings develop in many ways with respect to whether the rod bump is involved in the casting or not.</image:caption>
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      <image:caption>Round array made of plaster. Holes are about 1/2 inch deep to accept rod material.</image:caption>
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      <image:caption>Square array made of plaster. Holes are about 1/2 inch deep to accept rod material.</image:caption>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
      <image:caption>Example of using plastic embroidery mesh to align nails vertically in concentric circles. The space underneath where the points are represents the part buried in plaster. No drilling!</image:caption>
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      <image:caption>Nail holding apparatus just placed in wet plaster measured to exactly the correct depth.</image:caption>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
      <image:caption>Several clay dome shapes with lines drawn on outside to indicate to me where to drill the holes. Unclear yet whether these subtle changes will matter after all is finished. But I could always make these as just normal ceramic bowls!</image:caption>
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      <image:caption>Example of the clay and straw pattern that will eventually become a plaster dome that holds nails for winding the strings that support the clay slip.</image:caption>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
      <image:caption>Interior of plaster dome forming bowl. All these ends of coffee stirrers will be completely enclosed in plaster, which eventually is used to hold nails. Conveniently, pushing the straws through the clay wall left a little plug of clay on the ends, which prevents most of the plaster from draining out.</image:caption>
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      <image:title>Blog - Using string and various rods to create dippable, deformable supports ceramic slip trailing</image:title>
      <image:caption>Unmolding process of plaster dome form. Clay form was sculpted for pouring plaster inside. Lines were drawn on outside of clay bowl for locations of red coffee stirrers to push through. These red pieces are encased in plaster, but pull out, solving the problem of my not having a drill press. Here, the wet clay bowl form is being dismantled after the plaster has set. The metal nail is shown here as example of the radiating angle all the holes have.</image:caption>
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      <image:caption>Large plaster dome form with different hole spacing in different areas.</image:caption>
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      <image:caption>Plaster dome shown here with all its stirrers pulled out. Smaller dome in back, made in similar way, shown with all holes filled with nails. This would make a very complicated winding. Much more likely to use a few nails in a simpler pattern.</image:caption>
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  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2017/2/6/lyhtb38f7rf7wjx7kkwxtmrqi552zr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486919611116-DG2JU69E2YCMKMT3VXPP/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>A tall stack of slip-trailed layers. Low-fire clay, cone 05 oxidation, unglazed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486919703706-HQLWNIKZP8G7Q9W731EI/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Stacked form just out of the kiln with white ash residue from burned-off paper napkin layers. This was brushed off easily.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Single tube form made with two commercial casting slips (white and red) that have vinegar added for greater stiffness. The white clay got more vinegar for frosting-like consistency, and the red clay got only a little vinegar, just enough to slightly thicken it from its runny version as is comes as normal casting slip.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Interior of white tube form showing newspaper ash still clinging to walls, and structural seams and wrinkles created when it was a wet newspaper-and-slip sandwich, wrapped while still fresh around a cardboard tube (not shown, removed before firing.)</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Casting the solid bottom of the clay form. Slip amount is perhaps 2mm or 1/16 inch? This is about to be covered by another square of napkin.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486925142744-IHTYSUS80X5F2F5NF7RZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>A few layers of square shaped pathway stacked on top of the solid base. Here the clay paths are supported by thin napkin strips because I wanted to find out if an open center would be easier to manage or would dry faster. Maybe, but the solid napkin square used as a layer is much faster. I'm particularly fond of the dimpled texture of the bottom layer that happens when the napkin embossing wrinkles up. (I can't prevent it anyway!)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486925198614-23ZS7P9WUWHW0M7F2RAB/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Several inches of the stacked form showing the change from napkin strips to napkin squares. The ultimate choice will be solid squares, unless there is some structure also being formed inside the form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486925318460-8KCD421CUN08GT7393MS/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Several inches viewed from the side. It's fascinating! It's almost a pity the paper has to burn away. Maybe there is yet another sculpture technique that allows this effect to be permanant? Non ceramics, perhaps? Cloth squares glued together with caulking?</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Examples of clay slip used in its most runny form, unalterd from the consistency bought for slip casting in plaster molds. Single napkin layers cut into squares stabilize hand-squeezed clay lines. Small textures of paper transferred to clay while liquid. The paper squares do shift a bit, which might be important enough to prevent. Drawing the lines with the squeeze bottle sometimes touches the nozzle to the paper, dragging it a little because the immediately previous layer is still soft. The fix is to not touch the nozzle to the paper. Actually holding the paper steady --say, from a corner-- is actually too subtle because even that little pressure squeezes further the line underneath. Not that it's undesirable.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486698870910-X1A4LGO86HPFOI1VKV9X/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Same process as for circle path. Shown here is a little overflow drip to left of picture. Happens every so often, and isn't personally horrifying. If I intended to prevent it, I'd try making the slip a little thicker, or drawing the line farther from the edge of the paper. If it doesn't snap off in the future, it's an interesting bit of evidence of the process.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Red earthenware clay after final firing to cone 05. The clay slip used in its most runny form flows freely, is probe to dripping outwards from edges of paper, and squashes flatter with even the slightest pressure from above. Circle form out of the kiln. White shreds is all that's left of napkin paper.</image:caption>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Square form showing interior ridges and ash residue leftover from napkin. These ashes would wash off, or, as I did next, blew them off with the air nozzle of my compressor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486700953368-R1TKTUL03Y7O5ZG5VAV0/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Interior of circle form, showing the highly variable surface that results. Since the paper cutout is completely intact, any extra heavy drawn line toward the inside of the shape simply becomes an extending blob to the interior. On the outside of the shape, near the edge, it leaks downward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486700794442-GZH38NDMK1CJFJQF8K4J/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>The enclosed bottom of the square form. This was made by pooling the slip everywhere on the bottom layer of paper. The texture of the napkin shows as impressions on the clay, as well as a larger wrinkle that apparently happened while I was moving things around.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Interior detail after all paper ash was removed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486700494339-K18YC1JWDZQQ59NUUUUJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Bottom detail shows my attempt at laying out inner and outer lines, and bridging them over for extra support. There is still ash residue the compressed air could not dislodge. I will probably use running water and a soft brush to remove the rest.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Rather gnarly! The larger droplets are the result of squirting out more than usual, and the weight of the slip pulling towards the edge of the paper cutout, In come cases, even leaking downward several layers, or onto the firing tile underneath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930419569-V7L7JS90O10Y3N77VCU8/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Materials set up to make a paper and clay paste laminate. The newspaper square goes first and a matching one is stuck to the top. FInal goal is to have both squares of newspaper perfectly aligned with a layer of clay paste in between.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930460950-TV0Y5F0BGZCHXWA62GV1/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Thickened slip with vinegar makes lovely textures. It would probably stay intact if allowed to dry really slowly. Here the goal was simply to make a layer that was too thick so that it could be scraped down to the final thinness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930513193-EK6H4F4MUPZEZHPMD53Z/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Using flat sticks to scrape the textured slip down to the thinness regulated by the two rulers on either side. Thickness was about 1/4 inch, and could be a little thinner with practice. This scraping isn't perfect, and will probably be replaced with the squashing method used later.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930590360-3LJJ2WTPHWRS9OC296CN/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Excess size of thinly spread slip covered on second side with newspaper. Excess slip was scooped away and was perfectly usable for another project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930645867-8XTQKTRJPRIT1WD63A8S/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Carrying the laminate carefully to the former that will distort it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930692088-BSIN06IPZRVUHZ7AX3XX/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Paper and clay paste laminate distorted by pleated metal former. Originally the goal of this test, it didn't quite work as planned. The fold is too small angle for the thickness of slip and made bunching paper marks where I didn't want them. But the concept is that the laminate starts flat, becomes distorted in geometric ways, and dries there. I scrapped this design and used the re-flattened panel as a simple tube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930743685-QSRPJO20R2X3J8EQJF92/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Newspaper peels off after a few minutes of stiffening from water absorption. While not necessary, peeling the paper back allows any area to become exposed for connection to other parts and any stage in the process.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486930791266-2SVT14K28ONYH52QJJDH/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Self-supporting pasty column with lots of texture. Notice that there are air bubble tunnels all the way through the wall. This will probably be used much more deliberately to make walls with much more open spaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933207272-LC0CU9R705SP7I6GDK7J/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>This formless blob of clay slip, thickened with a little vinegar, is thixotropic. Meaning that it holds its shape pretty well, unless subjected to movement or vibration. It has no idea what's about to happen to it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933325232-SA75ZDY190DJUC30OXNJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Who says experimental ceramics processes don't have a "hands on" component? In this case, it was hands on, push really hard, wiggle, check, wiggle some more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933372401-PXNJBVIT00FV184GTT7G/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>The shapeless blob spread out into a remarkably even circle, with no planning. I didn't expect it! I didn't use the circle as it was, but I can easily see how making circles this way could  become habit-forming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933419781-AZ3FDBF9TW6MTVECYSX8/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>The fabric rotary cutter shown here makes good cuts, but seemed to get dull quickly. This laminate is certainly not official rotary cutting material. Soon afterward I experimented with making cuts with plain scissors and liked it much better.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933476145-S9BXFYKCYHQH3ECLBAA9/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>The prepared square laminate. Cuts at edges are slightly compressed and don't squeeze open too easily. This would leave a distinct edge I can easily accept as a natural part of the process. But I bet they're sharp when finished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933536047-G5XILDBH41ZV271KBFOE/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Trimmed scraps from generic squashed shape are immediately unpeeled and added back to original mix. I like the idea of having no wasted scraps.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486933912890-JY7Z9DF6PGZ06APG26AM/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Four cuts from edges with plain scissors make slits, then one layer of paper is pulled back. These exposed squares will have matching exposed places on other side. These newly-exposed surfaces are almost self-adhesive. Whatever paper remains, helps hold the form stable while connecting happens in a few locations.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Finished cup sample, clearly rumpled and in need of refinement of technique. But interesting still! If this roughshod laminate were supported by some flexible rigid support, all details would be cleaner, flatter, and faster. Such an improvement is definitely on the to-do list.</image:caption>
    </image:image>
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      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Red earthenware slip pooled into a square shape on napkin tissue. It takes a few minutes for it to set up a little on the bottom, but as pictured, would drip off the top if tilted too far. Conveniently, anything placed on this wet surface would adhere permanently.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486935362416-XW2Z3A0N09JC9L3MAXFV/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>The white paste form has been quite literally squashed down onto the thickened slip base. It connects perfectly, and sets up pretty quickly in case I have to move the sculpture around.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486935414448-NJ30GOGMD8DCBE1Z01RM/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Showing the first trailed layers stacked on top of the pooled, fully-covered floor layer. Here, I was still thinking of a square format wall growing upwards to surround the base of the tube, but that quickly changed!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486935463612-0JTUXMWQV3OMG9TXH4FX/image-asset.jpeg</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>This strips of napkin tissue added at angles closer to tube than a square can get. Not sure using the strips method is worth the effort here. But my future designs need this technique. The center form like the white one here would be decorated or structurally changed by this slip trailed facade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1486936123138-A0V56JEPID6ULS48IDT8/bicolor+tube+2.JPG</image:loc>
      <image:title>Blog - Hand-printed, thickened clay slip becomes dimensional with paper supports</image:title>
      <image:caption>Fired bicolor structure, still with ash residue from paper burnout. The thin coil-like stripes toward highest red areas were actually a surprise. A thin strip of napkin tissue was flat on the table, and I trailed some slip down the center. The paper curled toward the center and I helped it close up like one might roll a cigarette around loose tobacco. This became a portable, completely wet line of slip. Very interesting and probably quite useful later.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2017/1/23/kyaou2qi2wzmveqek6phafnihst2mo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485380355873-OI2L16GZUAHJNOQ5MOOS/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Example template for generating cone pattern. See the website? Follow it for fun templates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485276413224-N45QAGIY6NMBY5EK6R23/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Single paper cone, taped, as outer shell for containing slip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485276520888-4Y2BXLJ9D9Z9CUFG59Y7/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Thick clay slip added sparingly to bottom of cone, with no additional seal between cone and newspaper underneath. Slip hardens slightly on newspaper and forms fragile seal against leaking.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Detail of clay slip visible through translucent paper. No leaking!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485276716487-5MVHL85EPOXGWOXSOOKN/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Inner paper cone, smaller, with bottom edge sunk into wet floor. Interior circle represents floor after walls are cast. Gap visible between cones creates fill space for slip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485276782577-0S4WFSW7DT1E58GQHCXC/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>After a little pouring, both paper cones soften. Inner cone folds upwards as simple seal fails and leaks wall slip into interior space.</image:caption>
    </image:image>
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      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Collapsed form raised off of table and held.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485276985003-2KDYYLQDQQG2MGH3SY30/bottom.JPG</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Blurry: sorry. Bottom edges of both cones, showing slip draining from interiors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485277435845-CGT5EJXHI9FHJRGH12J0/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Detail view of self-supporting collapsed cones, back on new newspaper sheet. New slip poured into bottom of collapsed structure (not visible) that clings to newspaper will form new bottom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485277475143-O3M3MCTHMCTOS7FBGWL2/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Detail of collapsed form during drying, showing great variety of wall thickness, ranging from 1mm-15mm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485277044636-6M6ZG7TVH00GPJ0R0G3G/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Luckily, collapsed form can still support its own weight.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Profile view of fired structure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485374524841-MSLXDC75FIPPOFD7D1LJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Bottom layer created by pouring slip into collapsed form while balanced on newspaper. Hole is accident, but interesting!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485374427046-32OTDNHW95TBC0C3UAJK/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Interior detail of layers, showing drips and tatters of ash, not yet washed away.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485374251058-ZBZC8PI4GHJ7YK14NWG7/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Interior detail of many layers and thin edges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1485610619849-K7M2S3EG80UYD3433ZHI/image-asset.jpeg</image:loc>
      <image:title>Blog - Between two paper cones: Slip casting improvisation</image:title>
      <image:caption>Drawing of sculptural application using several slip forms made in the manner discussed. Coral reef? Flower? Surely, nothing that was man-made.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2017/1/15/using-newspaper-and-pleated-copy-paper-to-cast-new-clay-shapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484538509449-LO0Y79SWZHHFK74PW0AH/File+Jan+15%2C+6+41+30+PM.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Two versions of the tray form, showing the undulating edge effects that happen automatically.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484538898736-25DVRW5OK7JF7OWBMWPZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Paper folded shapes intended to make a hollow, star-shaped extrusion. Paper immediately softened, buckled outward, and leaked downward into sand catch basin. But not all was lost!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484526681071-FC0KJ4TGZ45DYVC0ME3L/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Clay form made from the collapse of a star-shaped, paper tube, pleated for strength, but not enough!  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484526738207-7FV8JHNPECKS6ILJABFK/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Detail of the very thin and beautiful membranes of clay that appeared as the clay drained out of the paper form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484527818694-MEL4QGBOO9CWMCG6L8IM/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>This is the back of the form, showing some of the sand that is embedded in the clay surface. The edges are sharp and remind me of flower petals.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484527381523-692H10X3JTV3GD0DSCEJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The entire shape. Look at the tiny bits of clay that flowed along the sides of the large pleats, seen to the left in the picture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484528570838-CPOSTS1JCI2ZUPPW6WHT/File+Jan+15%2C+6+45+55+PM.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Clay slip with a lot of sand is spread like frosting on a single sheet of newspaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484528487147-LU596PASWQHZNVY073TJ/File+Jan+15%2C+6+46+17+PM.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Newspaper on top and bottom of wet slip. Grey foam rectangle placed in middle. Edges of paper cut and folded over foam. Note that layer of paper closest to foam extends further inwards than outside layer of newspaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529084015-J2WUHCSJK1WYQQ4FEE69/File+Jan+15%2C+6+37+18+PM.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Several views of the envelope-like piece</image:caption>
    </image:image>
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      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529220756-GWJFEYXPYMM9RE2XOMFZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529492534-8TR29D3KB2607Z56ORBX/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Stabilized forms with foam support removed, most of paper removed. Ready to dry out for kiln.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529673332-INM89U18LFMKEZ44O95F/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Trussed shape with tape. It mostly worked.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529892885-SR4W1CJ5WXBJDV2M73IZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Fired form, all paper burned away, leaving many interesting folds and curves where the paper turned on itself and where the tape held the shape less flat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484529938830-DYO4TQVVBR6628VE34Y9/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Better view of interior and folds at narrow edges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484532593970-QOSMMJ2WXE6QJ5VQQTD6/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The clay slip is inside the outer sleeve of newspaper, where the darker, wetter area can be seen. The rubber band is holding the layer shut, but also adding its own wrinkle pattern to the paper and clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484532624644-SVKTQQEAOWJ80K3L7FMD/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The tube itself has paper on it to enable the clay sleeve to be removed when it is stabilized enough to hold its shape. Removed too soon, the clay form will slump into something less round. Removed too late, and the clay shell will crack from shrinkage around rigid tube, or careless flexing movement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484532879299-DBOTQUQLNLBJAVLRLPNS/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Good view of the rubber band tightening around the form, leaving marks in the clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484532931236-MB5YC27QQQG5TWSUDI9Z/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The tubes kept their shape perfectly, but the reason this one doesn't curve all the way around onto itself is that I broke off a part earlier in the process removing the newspaper. Ironically, since the edges on these forms are all atypical, the broken edge doesn't call attention to itself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484533097087-S0CJR71QTJAAYHUSBJZ8/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Of all the results in this series of experiments, this edge quality is almost my favorite. Smooth parts next to rough parts, hollow cavities that go down into the wall. The rough quality is the sand mixed into the slip. And all of it almost completely automatic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484533245133-2Z0VQH20LZG79Z1R453R/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>Another view of my favorite edge effect. This tube is completely enclosed on itself. It is not connected at that overlap because paper was between the clay layers. If this piece were glazed, the glaze would fuse those edges together for stability.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484533835461-VUA5UO3BQ4HCDXZ9ZE05/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The orange-brown angled form underneath is just another clay box I built. Here I'm using it to hold the wet clay layers in an overlapping position until they dry enough to stay there.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1484533964680-DH36YDCHWKXJMOLCEFAH/image-asset.jpeg</image:loc>
      <image:title>Blog - Using newspaper and pleated copy paper to cast new clay shapes</image:title>
      <image:caption>The completely fired bowl form with cut overlapped edges easily seen inside and out. The upper edge of the bowl is unchanged from the edges that happened when the slip was spread on the newspaper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2016/5/18/new-pottery-making-demonstration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-05-18</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/20/personal-archiving-research-project-underway</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1442771234520-QROFDVIUP6QDG8KQQBZY/image-asset.jpeg</image:loc>
      <image:title>Blog - Personal archiving, research project underway</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/20/tricky-pottery-technique-saves-a-damaged-rim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-20</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/9/other-peoples-work-on-pinterest-my-board-of-structural-inspiration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-09</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/8/new-pottery-technique-videos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-09</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/5/techniques-for-dividing-plaster-without-kerf-dust-or-noise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-05</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/9/2/group-of-pottery-videos-coming-soon-after-subduing-english-language</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-02</lastmod>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/8/31/new-candleholder-design-magnolia-lotus-orchid-acae-flower</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441035170003-HLGDF1KM9I3VW2ACYYRS/image-asset.jpeg</image:loc>
      <image:title>Blog - New Candleholder Design: Magnolia-Lotus-Orchid-acae Flower</image:title>
      <image:caption>Two flower forms, shown with three separate candle-holding cups.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441035246091-IM4YA2VERXSHLGHL6GDL/image-asset.jpeg</image:loc>
      <image:title>Blog - New Candleholder Design: Magnolia-Lotus-Orchid-acae Flower</image:title>
      <image:caption>A side view showing wildly curving petals on the raised base.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441035375955-Q3V2Q3T793KF5AB3FKT0/image-asset.jpeg</image:loc>
      <image:title>Blog - New Candleholder Design: Magnolia-Lotus-Orchid-acae Flower</image:title>
      <image:caption>First flowers will be decorated like this: Example of another candleholder I've made showing the brown warm clay color surrounded by white shiny glaze.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/8/31/brainstorming-process-for-patterns-in-stitched-series-of-decoration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441033700161-D9XI9B2YUGSEG1GTWB1Z/image-asset.jpeg</image:loc>
      <image:title>Blog - Brainstorming Process for patterns in "Stitched" Series of Decoration</image:title>
      <image:caption>Relatively simple arrangements in two, three, or four stitches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441033820311-6PPPCLAMXAWT8SOO1539/image-asset.jpeg</image:loc>
      <image:title>Blog - Brainstorming Process for patterns in "Stitched" Series of Decoration</image:title>
      <image:caption>Square or rectangular panels that are much denser, built up from regular arrangements of individual stitches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441033885619-24TY0IDVD0EX7EWE6QEJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Brainstorming Process for patterns in "Stitched" Series of Decoration</image:title>
      <image:caption>These are more intended for borders or narrow bands that might go around a piece horizontally, or drop down from a rim vertically.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441033981971-O7ABXBSH8X5VVLE4JX55/image-asset.jpeg</image:loc>
      <image:title>Blog - Brainstorming Process for patterns in "Stitched" Series of Decoration</image:title>
      <image:caption>The larger sketches are combinations of circular shapes put first, then meandering lines put second. I might have to try using these before the rectangular motifs shown on other pages.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1441034070294-5K9J0KV0MLD86C15N238/image-asset.jpeg</image:loc>
      <image:title>Blog - Brainstorming Process for patterns in "Stitched" Series of Decoration</image:title>
      <image:caption>These rather large patterns were drawn when the idea first hit to render embroidery on pottery after seeing a collection of Japanese Sashiko patterns on an embroidery blog.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/8/27/generative-art-paper-i-wrote-for-2014-conference-in-rome-italy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440696110701-EUSHL6CDQVG4A9DPF16O/image-asset.jpeg</image:loc>
      <image:title>Blog - Generative art paper I wrote for 2014 conference in Rome, Italy</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/8/26/there-are-enough-pottery-videos-right-possibly-not</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440609899101-8542WZWERSONDQD2ORR7/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440609946716-Y5Y8TLY50UQSVZIWFTQZ/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440610017531-ODCMPCEXM4WA5UQN37EX/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440610084758-ZUQEZMTC1J3EBOSJ4WLD/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440610193191-7A2POESA4C2PDINAP5VB/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1440610258903-1OC6K6AZDND9PMR3YVIJ/image-asset.jpeg</image:loc>
      <image:title>Blog - There are enough pottery videos, right? Possibly not.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.marcmancuso.com/blog/2015/8/26/bowl-demonstration-1-using-two-pounds-of-clay</loc>
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    <lastmod>2015-08-26</lastmod>
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  <url>
    <loc>http://www.marcmancuso.com/blog/tag/platter</loc>
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  <url>
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  <url>
    <loc>http://www.marcmancuso.com/blog/tag/ceramics</loc>
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  <url>
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    <loc>http://www.marcmancuso.com/blog/tag/burnout</loc>
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  <url>
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  <url>
    <loc>http://www.marcmancuso.com/kitchen-string-square-form</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250513989-HY430FIN81Z9HM8ZW75R/IMG_4215.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250513989-HY430FIN81Z9HM8ZW75R/IMG_4215.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250512421-8P0KJZ41IYW2KLRUKW0A/IMG_4342.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250519168-5QZBKMC8HPVB6I855JU6/IMG_4343.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250521440-M4RYVREW4RF0UKIZNHY9/IMG_4344.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250526710-E7PZ6QB1FRE4BBQX5MHQ/IMG_4351.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250529209-O72WFECM62CP5A06XDJA/IMG_4353.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250534860-DLZIYF4LJC0MB1HR77AV/IMG_4354.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250537424-UX8302ZY8CHFA9LTM9WF/IMG_4355.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250541544-OILT56SI9L8I890PH5CH/IMG_4356.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250544423-HTEUWH2VF6U2Y8BF5UF5/IMG_4357.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250548153-O2P0YGCLTZQUHLYD32TB/IMG_4358.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55d34350e4b0d06bf5f33910/1488250550850-0D3BJEPY5QJY30VG3RT1/IMG_4377.JPG</image:loc>
      <image:title>Kitchen String Square Form</image:title>
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  <url>
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    <lastmod>2020-09-25</lastmod>
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      <image:title>About Marc</image:title>
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    <loc>http://www.marcmancuso.com/stitched-and-scorched-series</loc>
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    <lastmod>2015-08-27</lastmod>
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      <image:title>New Stitched and Scorched Series</image:title>
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    <loc>http://www.marcmancuso.com/gallery</loc>
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    <lastmod>2015-08-26</lastmod>
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      <image:title>GALLERY OF ARTWORKS - Red geometric sculpture</image:title>
      <image:caption>Some geometric forms in ceramics. Built in 2013 while Artist in Residence for the Feet of Clay Pottery Studio in Brookline, MA.</image:caption>
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  <url>
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    <lastmod>2020-04-04</lastmod>
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    <lastmod>2024-10-20</lastmod>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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      <image:title>Woodfiring October 2024</image:title>
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